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  Buy B&W FPM6 Online
 
Buy B&W FPM6 Online

Bowers & Wilkins FPM6 2 1/2-Way Vented-Box Center Channel Speaker

Model Number: FPM6
 
Shipping to Curbside: FREE
Sale Price $950.99 ea
Available for demonstration and purchase in Houston, Dallas & Austin.

With an enclosure height to match the height of 60-inch plasma screens, the FPM6 is the largest model in the FPM Series. Compared to the other models, its enclosure is not only longer, it's wider too, which allows the use of two 130mm (5 in) Kevlar® cone bass/midrange drivers each side of the Nautilus™ tube-loaded tweeter. Higher output level capability and greater bass extension result, but timbre matching allows complete freedom to mix different models for left and right front, centre and surround if desired.

Freedom and flexibility extend to the four possible mounting options. Use the supplied wall bracket if no tilting of the speaker is needed. If it is, use an Omnimount® type 20.0 or other compatible bracket to get up to 10º of downward tilt. If using a tabletop stand for your screen, simply do the same with the speakers, using the optional table stand. Finally, there is an optional floor stand that supports the speaker at the ideal listening height.

Technical Specifications : FPM6

Description2½-way vented-box system
DimensionsHeight: 794mm (31.3 in) speaker only
828mm (32.6 in) vertically on table stand
270mm (10.7 in) horizontally on table stand
1312mm (51.6 in) on floor stand
Width: 195mm (7.7 in) speaker only
210mm (8.3 in) vertically on table stand
794mm (31.3 in) horizontally on table stand
262mm (10.3 in) on floor stand
Depth: 115mm (4.6 in) including wall plate
180mm (7.1 in) on table stand
224mm (8.8 in) on floor stand
Net Weight6.8 kg (15 lb)
Freq. Response65Hz – 22kHz ±3dB on reference axis
Freq. Range-6dB at 55Hz and 42kHz
Sensitivity88dB spl (2.83V, 1m)
Normal Impedance8 ohms (minimum 3.5 ohms)
Power Handling25W – 150W into 8 ohms on unclipped programme
Drive UnitsUnit 1: 2x ø130mm (5 in) Kevlar® cone bass / midrange
Unit 2: ø25mm (1 in) alloy dome high-frequency
Unit 3:
FinishFrame and grille:
Silver with silver cloth
Anthracite with anthracite cloth
Black with black cloth
Rear enclosure: Silver
DispersionDescription: Within 2dB of reference response
Horizontal: over 40º arc
Vertical: over 10º arc
Harmonic Distortion2nd and 3rd harmonics (88dB, 1m)
<1% 100Hz – 20kHz
<0.5% 200Hz – 10kHz
Crossover Frequency180Hz, 4.8kHz
Max. Recommended Cable Impedance0.1 ohms

(Quantity: Select 2 for pair)



Bowers and Wilkins FPM6-Extended Information:



Kevlar
The midrange is where the real musical action is invariably found, and a smooth midband is an invaluable loudspeaker quality. Enter Kevlar. It’s been B&W’s cone material of choice since 1974, and with good reason. The basic woven fabric is first impregnated with a stiffening resin that cures during the cone forming process. The cone is then further treated with a polymer coat, which seals the fibres and adds damping. The result is a semi-flexible cone, which exhibits a peculiar style of break-up behaviour, not found in more conventional materials, that maintains a more constant dispersion pattern at all frequencies in its range and transmits far fewer delayed, time-smearing sounds to the listener. Not only does it deliver a cleaner sound, it can do so to a wider group of listeners.

Crossover tuning
The parts of a speaker doing the hard, mechanical work, the drivers, act on the signals distributed to them by the electrical processing part: the crossover. The thing to look for is its simplicity. Some speakers demand complex crossovers to compensate for the shortcomings in their drive units. The better the mechanical design, the simpler the electronic design can be.

The engineers at B&W are still working to understand fully why and how certain components influence the sound of a speaker. Since different manufacturers’ versions of nominally the same component significantly alter the character of the sound, the experts at B&W feel the only solution is to put their trust in their ears and to choose what sounds best. They carry out exhaustive listening tests rigorously assessing the performance of each component until they find the optimum component for each position in the circuit. Fine-tuning by ear is only possible if the crossover is simple and the section of the crossover that perhaps benefits most from our policy of listen-and-learn is the part handling the signal for the tweeter. In most B&W speakers, it is carried by a single, ear-chosen component that preserves the very finest detail.

Nautilus Tapering Tube
The sound of silence. Not all sound generated by speaker drive units is good sound. The kind that emerges from the back of a working driver, into a conventional box cabinet, can bounce around and make a mess of the good sound coming out of the front. B&W’s trailblazing Nautilus™ speaker found a way around boxes. Tapering tubes filled with absorbent wadding soaked up the wayward sound energy and reduced resonances to an insignificant minimum.

Nautilus™ Tapering Tubes are fitted to nearly all B&W speakers, even when they’re not visible to the eye. Sound is channelled through a hollow pole magnet, away from the diaphragm, and disappears into the tail. So all the sound you hear is good sound.

 
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